ABOUT

My practice connects sound, space, and technology into a single act. I manipulate audio in three-dimensional space during live performances, capture its geometry as data, and transform it into sculpture, film, and code.

I compose and design sound, build AI workflows for art and data, and develop software instruments. In parallel, my motion studio Fluxmoth produces work for clients including Nike, Zalando, Ottolinger, and Kérastase.

My work has been shown at OFFF Barcelona, Venice Film Festival, Immerse HK, and Berlin Fashion Film Festival. 

Awards & Recognition
 — Winner, Arquitectura Poética, SMTH, Spain
— Shortlisted, ArtEvol 2025, Saatchi Gallery London
— Finalist, BAIFF AI Film Festival, Venice
— Finalist, SAE International Awards, Cologne & Frankfurt
— Winner, SAE International Award, Best Audio Project, Cologne 2022
— Shortlisted, Berlin Fashion Film Festival 2024

Background
— Audio Engineering, SAE University College Australia, GPA 6.78/7 High Distinction, Best Campus Major Project, Most Outstanding Student Award
— Data Science & Machine Learning, Code Academy Berlin
— LLMOps Specialization, Coursera / Duke University
— Architecture, FADU-UBA Buenos Aires

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The Neve Synthesizer
Re-imagining the recording console as an instrument.

Throughout the history of music, many records are defined by a sound rather than a structure — a sound often born from the misuse of technology. The Neve console is revered across the audio world for its warmth and character. But what if the console itself was the instrument?

The Neve Synthesizer re-imagines a $100,000 analog recording console as a performable synthesizer by harnessing the Larsen Effect — feedback. By routing each channel's output back into its own input and carefully tuning the resulting feedback tones to the C Major scale, a fully playable instrument emerges from the console itself.

This is not the Neve sound on a guitar or vocals. This is the Neve sound as the source.

The instrument was then sampled and built into an Ableton Live Pack and Pro Tools template making the authentic Neve sound accessible to anyone, from large studios to bedroom producers.

Inspired by Brian Eno's concept of the studio as a compositional tool, Delia Derbyshire's approach to noise as material, and Philippe Chambin's Skweeel project — the Neve Synthesizer extends this lineage into a playable, distributable instrument.

Currently in development as a standalone VST plugin.

Awarded SAE International Award for Best Audio Project, 2022. Awarded Best Campus Major Project Award and Most Outstanding Student Award, SAE University College Australia.





Concept & Sound Design — Marcos Micozzi
Recorded at SAE University, Byron Bay, Australia

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