Marcos Micozzi is a researcher, spatial sound artist, audio engineer, and multimedia performer. His practice explores the intersections between sound, space, memory, and time, translating ephemeral performances into material and digital experiences through immersive technologies.
He studied Architecture at FADU–UBA and graduated from SAE University College Australia with a Bachelor's degree in Audio Engineering in 2022, with High Distinction. He received distinctions including the Best Campus Major Project Award, Most Outstanding Student Award, and Dean's Merit List, as well as the Destination Australia Scholarship valued at AUD 45,000. He complemented his technical profile with a diploma in Data Science and Machine Learning at Code Academy Berlin in 2025 and a specialisation in LLMOps through Coursera and Duke University in 2025, integrating data and AI methodologies into creative and research processes.
His work integrates spatial audio, virtual reality, real time interaction, and 3D printing to shift listening from time into space, understanding sound as a field that can be explored and reconfigured in non linear ways. More than documenting a performance, his practice proposes a language for transforming sound into form, opening new ways of perceiving memory, presence, and temporality. He collaborates frequently with digital sculptor Hef Prentice and with musicians such as Desmond Cheese, expanding sonic and visual microuniverses.
He has received international recognition, including a Shortlist at the Berlin Fashion Film Festival 2024. He was winner of the SAE International Award for Best Audio Project in 2022. In 2025 he was selected for the Longlist of ArtEvol 2025 at Saatchi Gallery, London. His practice has received support from Dear Reality and sponsorship from AIAIAI Audio. His work has been selected for print publications including Spells Process Volume 2 and Prompt Magazine Issue 16, and his projects have been exhibited in Buenos Aires and New York.