ABOUT
My practice connects sound, space, and technology into a single act. I manipulate audio in three-dimensional space during live performances, capture its geometry as data, and transform it into sculpture, film, and code.
I compose and design sound, build AI workflows for art and data, and develop software instruments. In parallel, my motion studio Fluxmoth produces work for clients including Nike, Zalando, Ottolinger, and Kérastase.
My work has been shown at OFFF Barcelona, Venice Film Festival, Immerse HK, and Berlin Fashion Film Festival.
Awards & Recognition
— Winner, Arquitectura Poética, SMTH, Spain
— Shortlisted, ArtEvol 2025, Saatchi Gallery London
— Finalist, BAIFF AI Film Festival, Venice
— Finalist, SAE International Awards, Cologne & Frankfurt
— Winner, SAE International Award, Best Audio Project, Cologne 2022
— Shortlisted, Berlin Fashion Film Festival 2024
Background
— Audio Engineering, SAE University College Australia, GPA 6.78/7 High Distinction, Best Campus Major Project, Most Outstanding Student Award
— Data Science & Machine Learning, Code Academy Berlin
— LLMOps Specialization, Coursera / Duke University
— Architecture, FADU-UBA Buenos Aires
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I grew up on construction sites. Not as a metaphor, but literally. My parents are architects, and my childhood was spent watching 2D plans become 3D spaces you could walk through. I understood early that a drawing is a promise, and that the deeper work is in making it inhabitable.
I studied architecture at FADU-UBA in Buenos Aires, but it was moving to Australia and training as an audio engineer that changed everything. For the first time I had the space, the equipment, and the time to follow an idea all the way to its edge. I discovered that I love using things the wrong way and that the most interesting moment in any system is when you push it past its intended purpose and find out what it actually wants to do.
That's been the through-line ever since. Architecture taught me the importance of foundations, how to think in structure, space, and form. Audio engineering rewired how I perceive reality, learning to manipulate something as intangible as sound gave me access to a dimension of experience most people walk past without noticing. Data science taught me translation, how to take the messiness of reality and human experience and render it into systems I could automate, reshape, and reimagine.
Then came Berlin, where all three collapsed into the same practice.
I believe there's still enormous room to do things differently by learning exactly how something is supposed to work, and then deliberately breaking that assumption. The most interesting connections are the ones nobody thought to make because they were too busy staying in their lane.
micozzimarcos@gmail.com | Linkedin